chóng fǎn 20 sùi
What happens when Taiwanese director Chen Zhengdao remakes a hit Korean movie in which the basic premise is “I bet your grandmother was really hot when she was twenty”?
It’s probably not something most of us have spent too much time contemplating; what if you could meet your grandmother as she looked at the age of 20? This isn’t about meeting your grandmother as she was at 20, but meeting your old age pensioner grandmother trapped inside her hot 20 year old body.
Despite being a remake of a Korean film, to Western viewers this movie will be highly reminiscent of Freaky Friday with it’s body swapping shenanigans. It might even be tempting to see it as containing some sort of social commentary, questioning how much our attitudes to old people are shaped by appearances. But to be honest, that would probably be reading far too much into it.
The film’s name chóng fǎn 20 sùi means “go back to twenty years old”. Without giving too much away, the basic plot is that 70 year old Chen Mengjun, an average mahjong playing OAP, stumbles into a mysterious photo studio where she is transformed back into her 20 year old self.
For anyone who has spent time in China it is quite amusing to see the 20 year old Mengjun (played by the beautiful actress Yang Zishan) going around walking, talking and acting like an old Chinese woman.
For anyone who is not so familiar with China the joke might be lost a bit, as the stereotype of how old Chinese women act is slightly different to that of Western women. In a way this makes the movie quite useful for for the language learner as it also offers an insight into Chinese society. Even if it isn’t a particularly accurate insight.
Expect the usual romantic interest elements present in any movie of this type. The most amusing of which being the grandson who, not realising it’s his own grandmother, falls in love and convinces her to become lead singer in his band. Of course his band are then forced to sing covers of cheesy Chinese pop songs from the 60s, which somehow propels them to stardom.
The whole thing of course is ridiculous, but it’s a very entertaining ridiculous. To say it is the best Chinese movie of the year so far really doesn’t say too much since it’s only the second week of January and Chinese movies really don’t have a great reputation anyway.
However, you may find this one is worth watching, even if only because the plot and dialogue are simple enough for upper intermediate students to follow without much difficulty. Worst case scenario is that you give yourself two hours eleven minutes of listening practice. It’s got to be better than those boring textbook recordings.<